# ABL Films > Film production company working from Nicosia, Cyprus and Beirut, Lebanon since 1991. > Live-action commercials, brand and corporate films, music videos, animation, VFX and > post-production, plus two robotic studios: a BOLT high-speed cinebot for tabletop, > food, liquid and beauty, and KINISI for volume product videography and collections > digitisation. Work covers Cyprus, Lebanon, the Gulf, MENA, North Africa and Europe. ## What ABL Films does - **Live-action commercial production.** Concept through final delivery, in-house. Producers and directors in Nicosia and Beirut, with crews the company has worked with repeatedly in each territory. Built around large-scale shoots where a setup costs thousands per hour. - **Tabletop, food and liquid.** The BOLT studio in Nicosia. Shots that follow a drop from the air to its splash, repeated identically take after take. - **Product and e-commerce video at volume.** The KINISI system: 30+ finished products a day, every product in a range moving through the identical camera move so a whole catalogue cuts together as one piece. - **Animation, VFX and post-production.** Working in VFX and CGI since the 1990s. A post-production team established in Greece in 2005 covers VFX, 3D and 2D animation and motion graphics; there is no Greek office, the capability is delivered from there. - **Scientific and heritage digitisation.** Museum and research collections captured on the KINISI rig as photo, video and photogrammetry at fixed settings, delivered into the collection's own database. ## BOLT: high-speed motion control The only BOLT cinebot in Cyprus, and ABL Films is the only studio in the region offering one. A Mark Roberts Motion Control six-axis robotic arm on a pedestal, moving at 2 metres per second while repeating a move precisely enough to composite against. - **Cameras.** Two Phantom high-speed cameras, recording above 1000 fps. ABL Films is the only company in Cyprus with a Phantom. Phantom plus BOLT is what produces slow-motion liquid splashes, powder detonating in mid-air, and fruit turning slowly in frame. - **Crew.** An in-house director, plus exclusive representation of tabletop director and DOP Karpick. Full lighting package in-house. - **SFX engineering.** Custom rigs built in-house and synchronised to the BOLT, the Phantom and the lighting: controlled explosions, precise pours, a hamburger maker, waterfalls, treadmills. All built to repeat. - **Glambot.** The BOLT is the same robot taken to red carpets as a Glambot, used here for fashion and beauty. Beauty clients include L'Oreal, Wella and Bioscience. - **3D tracking.** Every BOLT move is saved in 3D coordinate space with its lens data, and imports directly into Maya, Blender, Cinema 4D or any other 3D package, so post gets camera data instead of a tracking job. - **The studio.** A cyclorama in central Nicosia with a 9m straight back wall, two curves and 4m side walls. A truck fits through the door. It is underground, which matters through a Cyprus summer. - **Clients shot on the BOLT** include McDonald's, Nestle, Coca-Cola, PepsiCo and KFC. ## KINISI: product video and digitisation at volume A turntable coupled to a 4-axis robot, producing repeatable product video at roughly the cost of product photography. - 30+ products per day, with product photography included. - Unlimited variations and media per product; the identical move repeats across an entire range, so a catalogue edits into one continuous showcase. - 360-degree spins, overhead and close-up signature moves, stop motion. - Output embeds on Amazon, Etsy, Shopify and WooCommerce product pages, drops into existing edits, and scales up to trade-show screens. - Interactive video, driven by ABL's own software, letting a viewer click through a product's features and variants inside the video. - Photogrammetry from 50cm down to 1mm, for brands and for scientific and archaeological collections. Proven at scale on the Senckenberg Museum beetle collection: thousands of specimens from sub-millimetre to over four centimetres, all captured on one rig without re-tooling. ## Track record Founded 1991 in Nicosia. Thousands of commercials, feature films, corporate videos and animations. Filming has covered Cyprus, Lebanon, the Gulf, MENA, North Africa and Europe. **Agencies worked with:** AdPRO, Brainlake, Chisel, FP7 McCann, Gemasco, Havas, Horizon FCB, ImpactBBDO, ITP, JWT, Leo Burnett, Links Communications, Lotus Conseil, LoweMullen, Memac Ogilvy, Saatchi, Y&R. **Brands worked with:** 7UP, Al Futtaim, Al Rabie, Al Rajihi, Amstel, Cadbury, Cevital, Coca-Cola, Cosmote, Danone, Dettol, Etisalat, Fadelco, Fanta, Fine, Ford, Johnson Wax, KDD, Kinder, Lever, Mazola, Mobily, Nabisco, Nestle, Nescafe, Ooredoo, P&G, Pepsi, Sprite, STC, Subway, Suzuki, Swarovski, TENA, Toyota, Umnia, Vodafone, Wataniya, Zain. ## Apprenticeship ABL Films runs an apprenticeship for emerging filmmakers, currently open and accepting applications. It is unpaid and voluntary, and it trains on Cyprus's only BOLT cinebot. Applications to marc@ablfilms.com. ## Pages - [Home](https://ablfilms.com/): Overview, showreel, expertise, featured work. - [BOLT](https://ablfilms.com/bolt/): The high-speed motion control studio in full. - [KINISI](https://ablfilms.com/kinisi/): Product, e-commerce and digitisation. - [Apprentice](https://ablfilms.com/apprentice/): The apprenticeship programme. - [Story](https://ablfilms.com/story/): 1991 to now, with the client and agency history. - [News](https://ablfilms.com/news/): Recent campaigns and studio work. - [Archive](https://ablfilms.com/archive/): 210 past productions, one page each. - [Contact](https://ablfilms.com/contact/): Europe, MENA and studio contacts. ## Contact - **Europe.** Tony Srour, CEO and Executive Producer. tony@ablfilms.com, +357 99621304. Kroisou 3, 2028 Nicosia, Cyprus. - **MENA.** Tanya Nasr, Executive Producer. tanya@ablfilms.com, +961 3286827. Red Zone, Street 1, Building 143, Adma, Beirut, Lebanon. - **Studio and technical.** Marc Srour. marc@ablfilms.com, +357 99 308521. Mykonou 1 (Basement), 1066 Nicosia, Cyprus. - **General.** info@ablfilms.com